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Still there are plenty of items on Wright's list that are new to me, and I think that that'll be true for almost everyone. Still there are plenty of items on Wright's list that are new to me, and I think that that'll be true for almost everyone. It'll be fun to track those items down (the screen caps chosen for the films on the list are almost always very enticing I find)."e=Here's the list (broken up over a couple of posts) in a more easily surveyable form: Before 1960 1 The Cabinet of Dr. Chuck Jones, 1957 149 Wild Strawberries Ingmar Bergman, 1957 150 A Night to Remember Roy Ward Baker, 1958 151 Ashes and Diamonds Andrzej Wajda, 1958 152 Dracula Terence Fisher, 1958 153 Elevator to the Gallows Louis Malle, 1958 154 Mon oncle Jacques Tati, 1958 155 The 7th Voyage of Sinbad Nathan Juran, 1958 156 The Fly Kurt Neumann, 1958 157 Touch of Evil Orson Welles, 1958 158 Vertigo Alfred Hitchcock, 1958 159 Whoa, Be-Gone!

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Courtship and marriage were arrangements that would be of mutual benefit to the families. There were instances when young women and men tried to circumvent the order of the day.But any red-blooded young male who independently set his cap at a particular young lady and approached the parents with a view to instigating a formal courtship was in for a hard slog.Smitten couples rarely saw each other without the presence of a chaperone, and marriage proposals were frequently written.Defying parental prohibitions, youths occasionally caught the quickest ride to their connubial destination.

The survival and consolidation of the families' power and prosperity were at stake.At the end of the evening the lady would look over her options and chose who would be her escort.She would notify the lucky gentleman by giving him her own card requesting that he escort her home.During the Victorian Era (1837-1901), romantic love became viewed as the primary requirement for marriage and courting became even more formal - almost an art form among the upper classes.An interested gentleman could not simply walk up to a young lady and begin a conversation.For upper-class English and Americans, keeping up appearances was paramount, and heaven forbid that a daughter should tie the knot with, in the vernacular, a bun in the oven. Of enormous concern to quality folk was the social standing of a child's potential mate.